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7.4
New Music Critiques: Kathleen Farless
A native of the Philippines, where she’s had success as a songwriter, Kathleen Farless' self-described “Broadway-meets-Coldplay” sound is a fair description of her work. An excellent ... -
7.8
New Music Critiques: Hollow Bones
A tight NY-based five-piece, Hollow Bones emit all the hallmarks of their genre (screamo vocals, pummeling percussion triggers, relentless riffs, hard/soft dynamics, suicidal desperation) and ... -
6.8
New Music Critiques: Jakpot
There’s nothing like poor production to undermine an artist’s talent, and that’s what we hear in these tracks by producer/artist Jakpot. His tracks are not ... -
7.8
New Music Critiques: Soulmedic
Mixing the traditional with the modern artist, Soulmedic presents a higher-conscious brand of reggae music and makes it all go down smooth thanks to his ... -
7.2
New Music Critiques: Farahri
Canadian solo artist Farahri definitely has a voice for pop/R&B, but inconsistent diction and her recordings’ huge production ambitions often overpower the singer’s lead vocals ... -
7.8
New Music Critiques: Ajia Clark
Oh so soothing and soulful is Ajia Clark, backed by a combo that brings expert support. While the jazzy, complex, syncopated “Soul Train” will impress ... -
8
New Music Critiques: Madeline Smith
With memorable hooks, relatable lyrics and a voice that packs a punch, 20-year-old singer/keyboardist/guitarist Madeline Smith shows very good chops for someone her age. “Stay” ... -
8
New Music Critiques: Gussie Miller
New music critique artist Gussie Miller has a versatile voice that impresses us, mainly on the higher notes, and he wisely feeds that strength in his ... -
8
New Music Critiques: Kylie Odetta
With hooky choruses, sultry voice and superb production by Matt LaPlant, this new music critique artist, Kylie Odetta, is working at a high level reminiscent of ... -
7.6
New Music Critiques: Young Cuda
“Is She the Captain of the Twerk Team?” That’s what Young Cuda and guests want to know on “Twerk Team,” which like the catchy “Dance ...
