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7.8
New Music Critique: Byron Nemeth
Contact: byron@byronnemeth.com Web: byronnemeth.com Seeking: Label, Management Style: Rock, Metal Byron Nemeth puts his guitar through the gears, and he can compose a theme (“Engines ... -
Top 20 Prospects of 2020
One of Music Connection’s best-known specialties is reviewing the work of unsigned recording artists. Over the past year, our listening crew heard some stellar talents ... -
Top 25 New Music Critiques of 2020
One of Music Connection’s best-known specialties is reviewing the work of unsigned recording artists. Over the past year, our listening crew heard some stellar talents ... -
7.2
New Music Critique: Amber Lee
Aussie artist Amber Lee projects a forthright, theatrical vibe as a singer, excelling on the lower end of her range on these recordings, which have ... -
7.8
New Music Critique: Giggie Surge
Rapper Giggie Surge really impresses us with multiple facets of his music, from the naturally effortless tone of his voice and flow to the continuously ... -
8.4
New Music Critique: Reed Waddle
With a voice like “a country music Chris Martin” (Coldplay), Reed Waddle projects a spirit that is smooth and easy to like, especially when he’s giving ... -
7.7
New Music Critique: Mystro The Black Liberace
Mystro boasts some serious sideman cred (Janet Jackson, Warrren G, Chris Brown) and on his original instros he shows a knack for cleverly combining styles ... -
8.6
New Music Critique: Cub Sport
Film/TV folks should check out Aussie foursome Cub Sport, who are working at a high level to deliver rich, well-produced recordings that capture a consistent ... -
8.2
New Music Critique: Kawin Kornthong
An unusual artist, to say the least––and ultimately just as intriguing––making music that horror/suspense filmmakers will want to check out. Kawin Kornthong (based in Bangkok, ... -
8
New Music Critique: Noah Gabriel
Right away (on the energetic “All or Nothing”) Chicago-area singer-songwriter Noah Gabriel shows his infectious confidence as a singer and musician. His ability to draw ...
