As bills go, the combination of new wave icons Devo and The B-52's is an inspired one. Sure, they're both from a similar era, but Devo's "devolution" science approach--their ability to deconstruct and reconstruct music--could be at odds with The B-52's love-heavy surf-disco pop-rock. And yet it works beautifully. Both groups are quirky enough, and have enough crossover of fanbases, that the whole night at the Hollywood Bowl was an absolute joy.
Both bands played for about an hour and, while it was billed as a co-headliner, Devo performed last. The B-52's set was a fucking ripper though. Opening with "Cosmic Thing," they blasted though classic such as "Give Me Back My Man," "Roam," and "Dance This Mess Around." Naturally, they closed with the combo-rally of "Love Shack," "Planet Claire" and "Rock Lobster."
The three classic members are all in the 70's now, but they still look and sound incredible. Fred Schneider might not be as energetic as he once was (who could blame him?) but he, Kate Pierson and Cindy Wilson are all note perfect. The B-52's are still the ultimate party band.
Devo were spectacular though. Again, they made full use of their hour with a set spilling over with classics and fan favorites.
"Don't Shoot (I'm a Man)" comes early, as do "That's Good" and "Girl U Want." "Whip It" predictably gets pretty much the entire venue dancing, before the punk snot of "Blockhead" and especially "Mongoloid."
"Gates of Steel" remains one of the greatest new wave anthems ever, and the encores of "Freedom of Choice" and "Beautiful World" sent everyone away happy.
Devo has always been a glorious contradiction--simultaneously joyful and accessible, yet challenging and super-intelligent. All these years later, that remains the case.
Earlier, Lene Lovich was the perfect opener for this gig. "New Toy" and "Lucky Number" sounded magnificent, with Lovich still blessed with her trademark warble. She was the cherry on this new wave cake.
Photo credit: Randall Michelson/Live Nation-Hewitt Silva
