London-born powerhouse SIENNA SPIRO is officially turning the page from rising star to full-scale global headliner, announcing her expansive My House Tour—a run that feels like an open-door invitation into her world (with better lighting and a 20-piece string section, of course).
Arriving in support of her forthcoming debut album Visitor, out July 3 via Capitol Records, SPIRO is building a release cycle that already feels pretty seismic. Presales kick off tomorrow 10 a.m. local time, with general on-sale following Thursday at 10 a.m.—and if her previous U.S. sellouts are any indication, “don’t wait” is doing a lot of heavy lifting here.
The North American leg opens October 13 at Nashville’s legendary Ryman Auditorium, before rolling through a cross-continental sprint of major stops including Atlanta, Washington D.C., New York, Toronto, Chicago, Seattle, Vancouver, and more. The run wraps November 10 at Los Angeles’ iconic Wiltern, closing out what’s shaping up to be a defining first major headlining chapter. Along the way, she’ll also return to San Francisco’s Castro Theatre—a full-circle moment after a surprise duet there earlier this year that quickly became fan folklore.
And she’s not stopping at North America. After the fall run, SIENNA expands the “My House” concept globally with dates across Asia, Australia, New Zealand, the U.K., and Europe—because apparently a debut era this cinematic doesn’t stay in one timezone.
If the name of the tour sounds intimate, the scale says otherwise. This follows a packed year of festival appearances at Lollapalooza, Newport Jazz, Outside Lands, All Things Go, and Austin City Limits, where she’s been steadily sharpening a live show already praised for its emotional precision and vocal force. Add in recent TV performances—from late-night stages to BBC specials—and it’s clear SIENNA is operating in that rare space where critical acclaim and audience obsession are starting to overlap.
In her own words, the tour is her biggest yet: a chance to bring Visitor to life in rooms she’s never played before, for audiences she hasn’t met yet. There’s a kind of quiet confidence in that framing—less “world domination,” more “come in, I made something for you.”
And if Visitor—a project already previewed with orchestral ambition, sharp songwriting, and a deeply human sense of impermanence—is any indication, “My House” might not just be a tour title. It might be a statement of intent.
More info and tickets here.
Photo by Rachel Goldberg
