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Album Review: Bill Curreri's "Hard Road Home"
Though his emergence as an indie powerhouse finds his blend of feisty rockers, mid-tempo pop gems and soulful ballads fitting in the "Americana rock" category, ... -
Album Review: Breathe by Tiny Moving Parts (6/10)
"Tiny Moving Parts' warmed-over compositions, barred of standout moments beyond a few intrepid axe displays, could have been plucked from the mid-'90s." Unity of purpose ... -
Album Review: From Now On by Jonathan Cilia Faro (8/10)
"The singer creates and otherworldly vibe that's driven, like real opera, by narrative highs and lows." The title of Sicilian born tenor Jonathan Cilia Faro's ... -
Album Review: Cactusville By The Hangmen (8/10)
"12 slices of sleazy, snotty punk-glam excellence..." Formed in ‘86, The Hangmen were initially managed by Circle Jerks/Black Flag man Keith Morris, while Bad Religion’s Brett Gurewitz ... -
Album Review: I Don’t Want To Play The Victim, But I’m Really Good At It ...
"The EP, filled with gritty guitar riffs and infectious choruses, is well worth a listen." Best known as The Wombats’ frontman, Matthew “Murph” Murphy has ... -
Album Review: How Do You Love? By The Regrettes (8/10)
"This is a solid California rock album, but covered in sweet, sticky grenadine." No album has taken me on such a full, winding journey in ... -
Album Review: The Savior By A Bad Think (9/10)
"The palette for this melodic raconteur blends virtual and surreal worlds, with dark and moody tapestries and colors." Singer-songwriter, multi-instrumentalist, producer, auteur; these are all the ... -
Album Review: Lost Tapes 2 By Nas (7/10)
"Maybe Nas had a good reason (at the time of their original recording) to put these songs on the backburner..." Lost Tapes 2 is an ... -
Album Review: Equalizer By Chemical Diary (7/10)
"Their rawness is reminiscent of early work by The Black Keys." Dudee and Roland Numbers are Texas brothers who crafted this little gem of makeshift ... -
Album Review: Norman F***ing Rockwell by Lana Del Rey (9/10)
Utilizing guitar riffs, soft piano chords and an overall stripped-down sound, it’s almost as though Del Rey sheds her former, lost self and becomes a ...
