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7.4
New Music Critique: Whozini
Hailing from England, rapper Whozini is at his best when he’s creating a hook for a heavily melodic beat. This was evident on multiple tracks ... -
9
New Music Critique: Katya Richardson
We’re really taken with the work of Katya Richardson, whose music has been performed at venues such as Disney Hall and the Hollywood Bowl. Spartanly ... -
8.4
New Music Critique: Brandon Andre
Artist Brandon Andre delivers textbook examples of today’s pop/R&B, with songs that address female listeners. On “Too Late” he admits his transgressions, regrets his past ... -
7.6
New Music Critique: Elli K
South Korean native Elli K has a gift for the theatrical pop music that fans of Disney films will warm to immediately. That’s particularly true ... -
8.3
New Music Critique: Narima
Composer Narimá makes a strong case for himself as a creator of effective underscore for film or television projects. The piece “Sustain” is absolutely faithful ... -
7.4
New Music Critique: Julia King
Long Island’s Julia King fronts her versatile band with a voice that is well-suited to folk/R&B, using deep, sultry tones to convey confessional lyrics that ... -
7.4
New Music Critique: Seth Patterson
Occasionally we hear an artist, seemingly working alone, way out in the sticks, who despite less-than-perfect sound quality flat-out knocks us for a loop. That's ... -
8.6
New Music Critique: The Danberrys
From Tennessee, this talented duo conjure a captivating sound that traces its lineage to the mountain folk tradition, with Dorothy Daniel's affecting voice and Ben ... -
7.8
New Music Critique: Elektric Animals
Elektric Animals have a sonic vision: craftily blues-based pop-rock with group vocal yells, eerie undertones and techno instruments layered in. Now the Denver band needs ... -
8
New Music Critique: Young Trap
We have no doubt that Young Trap is ready to hang with the top rappers of 2020, and perhaps his rise is slightly overdue. Since ...
