We give Proper Einstein a thumbs up for his arty, imaginative, sometimes neo-classical beats, but not so much for his voice and overall flow. “Welcome to My Feelings” is kinda catchy and demonstrates the artist’s flair for arrangements that feature churning synths and dynamic pauses, but the vocal feature (a very credible Free Yun Flowz) ultimately makes more of an impact than PE’s own vocal statement. Prop’s use of a soprano sample on “Hate Me Or Love Me” is initially cool, but it proves maddeningly repetitious. “Depletion” has intriguing elements, an interesting bridge, but his breathy vocal tone is not able to make his statement of defiance all that convincing. This artist’s strength is in production.