Several recently added sessions have been announced to the AES Show Technical Program. GRAMMY®-winning producer, engineer and mixer Vance Powell will detail some of his most successful mixing and recording techniques with the session “Behind the Mix,” hosted by AES Recording and Production Track co-chair Peter Doell. Powell is a familiar face and popular presenter at AES conventions and is due to offer an insightful and entertaining look at some of the techniques he uses in the studio. Doell further delves into the recording workflows taking place in these uncertain times with the session “Post-COVID Recording Challenges” with guest Warren Huart. While many in the industry have found mounting challenges with online interaction, live streaming, apps, and other technologies, this session aims to examine these issues, while also taking into account the success of those who have found the pandemic has helped streamline their process.
The AES Show will also look into the complexities and opportunities facing much of our industry and beyond, through several topical and current events-related offerings. “Unlocking the Control Room: Equity Achievements in Audio” will take a look a recent international survey, taken in partnership with AES, which showed that women who work in recording studios experience more microaggressions than those who work in STEM academia. In this session, panelists Amandine Pras, Grace Brooks, Kat Young, Daniel Fox, Mary Mazurek, and Eliot Bates will host an open dialog based on the achievements of AES members who have applied their expertise to prompt actions towards equity in the industry. Examining other current disruptions to ideal industry and educational output, the workshop “The Day School Came Home” will host educators Jim Anderson, Alex Case, Agnieszka Roginska and Alex Ruthmann for a hands-on report on how their concepts of teaching audio theory, mixing, music performance, critical listening, and immersive audio changed to an online university approach within days in March 2020.
Shifting to the importance of audio in video productions and services, “Are We in Sync? Audio for Video in Classical Music Production” brings together Alex Kosiorek, Benjamin Maas, Roberto Toledo, David Frost, Mark Schubin and John Kerswell to discuss how audio engineers are often performing dual roles in audio and video production, having to understand the importance of artistic temperament while addressing technical considerations for a successful event. “Music Technology in Live Performance” further looks at some of the ways that music technology is incorporated into a live context, assessing the various aspects of using hardware and software to plan and deliver performance from the studio to stage.
AES Show Fall 2020 Convention registration, including four full weeks of live and streaming tech program content, live Q&A’s, networking, and more, is just $149 for AES Members and $274 for non-members – the latter including one year of AES membership and benefits – through the end of August. AES Student Members receive a further discount, taking registration down to only $99 for the entire month of programming. Visit AESShow.com to find out more and Register Now!