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7.2
New Music Critique: Pr1de
Based in Louisiana, Pride’s honesty and commitment rings through despite sound quality that too often leaves something to be desired, clouding his vision and message. A ... -
7.6
New Music Critique: The Sweet Kill
With a strong (if not distinctive) voice, artist Pete Mills and company deliver dark, dramatic, synth-powered songs that, despite dire lyrics, send an upbeat, often ... -
7.4
New Music Critique: Scary Hours
Delivering probably the most relentlessly vigorous acoustic-guitar strumming you’re likely to hear and a youthful voice that’s tailor-made for emo punk, Scary Hours is solo ... -
8
New Music Critique: Chelzzz
Kinetic, fractured, and fascinating describes these recordings by Detroit artist Chelzzz, who brings plenty of attitude to the mic, an energy that is somehow both ... -
8.2
New Music Critique: Ryan Chernin
In all respects, Ryan Chernin is working at an advanced level, impressing us with his appealing vocals and an ability to write and render one ... -
7.6
New Music Critique: The Iveys
Sibling harmonies are a sublime thing to experience and that’s what bursts forth from the speakers when listening to The Iveys, a family band from ... -
8
New Music Critique: Finding September
This Texas band is fronted by Emily Bayardo, whose vocal tone is appropriately butch, brawny and rebellious. That voice is expertly situated in the mix ... -
Live Review: Ramekega at The State Social House in Hollywood, CA
Material: The State Social House in Hollywood is a smallish, low-ceilinged, open-raftered room with a slightly bigger-than-a-postage-stamp stage and a very happy bar. A tough venue ... -
The Legal Beat: Can I Collect Royalties from SoundExchange?
Many people seem to be confused about what SoundExchange is, what it does and how it pays royalties. This article will attempt to explain what ... -
Golden Age of the DAW: Tools for Our Trade
No one has ever accused me of being the most talented person in the world. In fact, they are absolutely correct to withhold such praise ...
