HARRIET SCHOCK
harrietschock.com
Harriet Schock, a former staff writer for Colgems-EMI, is a multi-talent: singer, songwriter, teacher, author and actress. She recorded three albums, all notable for their lyrical approach and musical incisiveness, for 20th Century Records, scoring gold and platinum awards for her Grammy-nominated “Ain’t No Way to Treat a Lady.” Schock was twice awarded Cashbox’s Best New Female Artist. And, as a result, other artists began to interpret her work, including Roberta Flack, Smokey Robinson, Syreeta, Nancy Wilson, Manfred Mann, and Jeannie Kendall, to name a few. Currently, Schock has moved into teaching and soundtrack work.
How did you become a songwriter and recording artist?
I played any place that would have me and developed a following. That got me some industry attention.
How did you get your first deal?
I met an executive from Screen Gems Music who took me to a record label and got a deal. It was a little easier in those days.
Your songs have been covered by a lot of artists. How did that happen?
As a recording artist, I was popular enough to get a nice amount of airplay. In fact, it was just enough to get other artists interested in my songs. Once well-known artists were singing my songs, it got better and better.
What is your opinion of streaming services?
They’re faulty. Not only are they unjust and unfair, they’re killing the golden goose. Their royalty rates are embarrassing.
You do a lot of film and TV placements.
They pay well. But, you need a good music supervisor who has a lot of projects going on.
Any advice for aspiring writers/artists?
You should do music because you love it––not because you want a career. Do it because it’s your life and you have to. You can eventually make a living with enough placements in film and TV.
Your opinion of publishers today?
I’m not anti-publisher. If they really do their job, they are invaluable. •
